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SynopsisHouse of Cards features new large-scale works of Tehran-based Afshin Pirhashemi that describe how the dominant role of media in everyday life increasingly shapes worldviews. Pirhashemis latest series shows the artist continuing his exploration of monumental imagery as he relies on allegory and the implied theatrics of black and white scenes to emphasise the underlying message of his works. In contrast to this widespread dependency on mediated reality, Pirhashemi reminds viewers of what lies beyond their screens by alluding to the growing, war induced crises that are becoming impossible to ignore.
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